Dereck Joubert, one of the National Geographic filmmakers behind Eye of the Leopard, spent three years looking for this valley before building anything in it. It was chosen for what it lacked: no other lights, no engine noise, no neighbours. On scouting visits a male leopard and a lioness with cubs kept turning up. Dereck designed the camp himself, raising it on stilts and timber walkways so that game keeps moving underneath, and dressing the canvas with leather campaign chairs, brass lanterns and carved wooden chests.
Inside, each of the two bedrooms has a bathroom of its own, with double basins, an indoor shower and a freestanding copper tub set beside a mesh window that looks straight into the trees. Beyond the lounge, the deck runs wide enough for an outdoor table, an exercise bike and a plunge pool at its edge. A pair of Swarovski binoculars and a professional Canon camera, with 100-400mm and 24-70mm lenses, stay in the suite for the length of the stay, and whatever is photographed goes home on a memory card.
Storm lanterns mark the walkway back from the fire pit and wildebeest call out on the plains.
Dinner might be a candlelit table on the deck beside the pool, a set menu in the suite’s own dining room, or a seat at the main camp’s communal table a short walk away. Breakfast is cooked to order. Lunch tends towards fresh bread, grain and beetroot salads and a cheeseboard, and the wine cellar can be toured before anything is opened. Because the suite has its own guide and vehicle, drives leave when the party is ready and not when the camp is, which helps with children, or with one early riser and one late sleeper.
Getting in means a light aircraft from Nairobi’s Wilson Airport to the ol Seki airstrip, then a drive of around 40 minutes that doubles as the first game drive. Children from six are welcome, and the Young Explorers programme sends them off tracking spoor, beading with Maasai guides and learning bush survival skills. Spa treatments come to the suite, so nobody has to walk anywhere for them. Storm lanterns mark the walkway back from the fire pit and wildebeest call out on the plains. After dark, the canvas shifts in the breeze.